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The sky is scattered with a few clouds. A chance of thunderstorms with no rain.
There was a large accident with three trams today. Apex released this statement. "A simple test gone wrong, we were experimenting with a new model of tram today at increased speeds. Unfortunately, the timing was off when the three came to the same intersection. Luckily, no one was injured as all these tests are unmanned and made from a remote control. Please be patient as the trams are running slower than usual. Thank you."

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 Sōke Donnie Ip Gai

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I.K.K.I.

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Posts : 61
Join date : 2010-01-11
Age : 29

Character sheet
Name: Ichijin Kuuchuu Kyuuten Igyou
Gender: Male
Age: 18

PostSubject: Sōke Donnie Ip Gai   Tue Mar 16, 2010 6:39 am

"Look deep into my eyes and accept my sincere apology! Also notice my handsome manly features."

[ Donnie Ip Gai ]

AGE
46

BIRTHDATE
January 1

NATIONALITY
Chinese

FAMILY
None

APPEARANCE
Height: 6'8"
Weight: 234 lb.
Hair: Black
Eyes: Black
Skin: Slight Tan

TASTES
Likes: Challenges, all students, and spicy food.
Dislikes: Anything easy to him, crime, and junk food.
Hobbies: Sketching.

PERSONALITY
Gai is very kind and gentle but strict with his training methods. He is very close to his students to the point some of them even address him as their father figure. But if you're a girl and not his student, he can get slight flirty with you. He flirts in a corny way but somehow still gets the girls. On his spair time, he sketches pictures of his students or random beautiful females. When he speaks, he tends to be loud no matter where he is. When he's serious, his face hardens with seriousness and his voice deepens. He rarely gets angry and he never allows his power and position to never go to his head or ego.

BIO
Gai is the second youngest sōke out of the ten sōkes. Even with that said, he's probably one of the most wise amongst them. His school has thee most prestige amongst all nine schools and is highly respected and looked up to by the other schools. Even with all that prestige, the students remain humble and kind to their fellow schools. Never do they boast about their skill or show off. The school itself is one of the first three schools to form under the Bujinkan Hatsumi Dojo. It has held on to it's position as strongest school forever and even with that the other sōkes don't resent or hate this school. Although, their students tend to be jealous sense most of the students of Togakure Ryū Hidensho get in through some kind of test that the sōke himself invented. No matter how big the school is, very few people actually get in as full time students. Nothing much is known about Gai, the sōke. He was trained in martial arts since the age of seven and continued to perfect his skill from then to this very day. It is still said that Gai is the only sōke who can push Masaaki Hatsumi to his limit. Togakure Ryū Hidensho will always prosper with every new sōke taking over to advance and perfect the style and Gai is no different. Although, he is the only single sōke there is.


== Style Characteristics ==

=== Balance, structure and stance ===
Togakure Ryū Hidensho practitioners believe that the person with better body structure will win. A correct Togakure Ryū Hidensho stance is like a piece of bamboo, firm but flexible, rooted but yielding. This structure is used to either deflect external forces or redirect them into the ground.
Balance is related to structure because a well-balanced body recovers quicker from stalled attacks and structure is maintained. Togakure Ryū Hidensho trains the awareness of one's own body movement derived from muscular, tendon, and articular sources. Performing Togakure Ryū Hidensho's forms such as Chum Kiu or the Wooden Dummy form greatly increase [[proprioception]].
Togakure Ryū Hidensho favours a high, narrow stance with the elbows kept close to the body. Within the stance, arms are positioned across the vitals of the centerline. Shifting or turning within a stance is carried out variantly on the heels, balls, or middle (K1 or Kidney 1 point) of the foot depending on lineage. All attacks and counter-attacks are initiated from this firm, stable base. Togakure Ryū Hidensho rarely compromises structure for more powerful attacks because this is believed to create defensive openings which may be exploited.
Structure is viewed as important, not only for reasons of defense, but also for attack. When the practitioner is effectively 'rooted', or aligned so as to be braced against the ground, the force of the hit is believed to be far more devastating. Additionally, the practice of 'settling' one's opponent to brace them more effectively against the ground aids in delivering as much force as possible to them.

===Relaxation===
Softness (via relaxation) and performing techniques in a relaxed manner, is fundamental to Togakure Ryū Hidensho.
* Tension reduces punching speed and power. Muscles act in pairs in opposition to each other (e.g. biceps and triceps). If the arm is tensed, maximum punching speed cannot be achieved as the biceps will be opposing the extension of the arm. In Togakure Ryū Hidensho, the arm should be relaxed before beginning the punching motion.
* Unnecessary muscle tension wastes energy and causes fatigue.
* Tense, stiff arms are less fluid and sensitive during trapping and [[Chi Sao|chi sao]].
* A tense, stiff limb provides an easy handle for an opponent to push or pull with, whereas a relaxed limb provides an opponent less to work with.
* A relaxed, but focused limb, affords the ability to feel "holes" or weaknesses in the opponents structure (See Sensitivity section). With the correct forwarding these "holes" grant a path into attacking the opponent.
* Muscular struggle reduces a fight to who is stronger. Minimum brute strength in all movement becomes an equalizer in uneven strength confrontations. This is very much in the spirit of the tale of [[Ng Mui]].

=== Centerline ===
While the existence of a "central axis" concept is unified in Togakure Ryū Hidensho, the interpretation of the centerline concept itself is not. Many variations exist, with some lineages defining anywhere from a single "centerline" to multiple lines of interaction and definition. The most commonly seen interpretation emphasizes attack and defense along an imaginary vertical line drawn from the center of the practitioner's chest to the center of the enemy's chest. The human body's prime striking targets are considered to be on or near this line, including eyes, nose, throat, solar plexus and groin.
Togakure Ryū Hidensho techniques are generally "closed", with the limbs drawn in to protect the central area and also to maintain balance. In most circumstances, the hands do not move beyond the vertical circle that is described by swinging the arms in front, with the hands crossed at the wrists. To reach outside this area, footwork is used. A large emphasis and time investment in training Chi Sao exercise emphasises positioning to dominate this centerline. The stance and guard all point at or through the center to concentrate physical and mental intent of the entire body to the one target.
Togakure Ryū Hidensho practitioners attack within this central area to transmit force more effectively, since it targets the "core center" (or "mother line", another center defined in some lineages and referring to the vertical axis of the human body where the center of gravity lies). For example, striking an opponent's shoulder will twist the body, dispelling some of the force and weakening the strike, as well as compromising the striker's position. Striking closer to the center transmits more force directly into the body.

=== Punches ===
Because of the emphasis on the center line, the vertical fist straight punch is the most common strike in Togakure Ryū Hidensho. However, the principle of simultaneous attack and defence suggests that all movements in the Siu Nim Tau with a forward execution flow into a strike if no effective resistance is met, without need for recomposure. Other explicit examples of punches can be found in other forms, although these punches may appear to be superficially different they are simply the result of the punch beginning from a different origin position while following the same fundamental idea, to punch in a straight line following the shortest distance between the fist and the opponent.
The vertical punch is the most basic and fundamental in Togakure Ryū Hidensho and is usually thrown with the elbow down and in front of the body. Depending on the lineage, the fist is held anywhere from vertical to horizontal (palm side up). The contact points also vary from the top two knuckles, to the middle two knuckles, to the bottom three knuckles. In some lineages of Togakure Ryū Hidensho, the fist is swivelled at the wrist on point of impact so that the bottom three knuckles are thrust forward adding power to the punch while it is at maximum extension.
The punches may be thrown in quick succession in a 'straight blast' or 'chain punching'. When executed correctly, it can be used as a disorienting finisher but is often criticised for encouraging weaker punches that don't utilise the whole body. Togakure Ryū Hidensho favours the vertical punch for several reasons:


  • Directness. The punch is not "loaded" by pulling the elbow behind the body. The punch travels straight towards the target from the guard position (hands are held in front of the chest).
  • Protection. The elbow is kept low to cover the front midsection of the body. It is more difficult for an opponent to execute an elbow lock/break when the elbow occupies this position. This aids in generating power by use of the entire body structure rather than only the arm to strike. Also with the elbow down, it offers less opening for the body to be attacked while the forearm and punch intercept space towards the head and upper body.
  • Strength and Impact. Togakure Ryū Hidensho practitioners believe that because the elbow is behind the fist during the strike, it is thereby supported by the strength of the entire body rather than just a swinging fist, and therefore has more impact. A common analogy is a baseball bat being swung at someone's head, as opposed to the butt end of the bat being thrust forward into the opponent's face, which would cause far more damage than a glancing hit and isn't as easy to evade. Many skilled practitioners pride themselves on being able to generate "short power" or large amount of power in a short space. A common demonstration of this is the "one-inch punch," a punch that starts only an inch away from the target yet delivers an explosive amount of force.
  • Alignment & Structure. Because of Togakure Ryū Hidensho's usage of stance, the vertical punch is thus more suitable. The limb directly in front of the chest, elbow down, vertical nature of the punch allows a practitioner to absorb the rebound of the punch by directing it through the elbows and into the stance. This is a desirable trait to a Togakure Ryū Hidensho practitioner because it promotes use of the entire body structure to generate power. Whereas, the rebound of a horizontal punch uses only the arm to strike. In this elbow-out position the hinge-structure directs force outwards along the limb producing torque in the puncher's body.


=== Kicks ===
Kicks can be explicitly found in the Chum Kiu and Mook Jong forms, though some have made interpretations of small leg movements in other forms contain information on kicking as well. Depending on lineage, a beginner is often introduced to basic kicking before learning the appropriate form. Traditionally, kicks are kept below the waist. This is characteristic of Southern Chinese martial arts, in contrast to Northern systems which utilise many high kicks.
Variations on a front kick are performed striking with the heel. The body may be square and the knee and foot are vertical on contact (Chum Kiu), or a pivot may be involved with the foot and knee on a plane at an angle (Mook Jong). At short distances this can become a knee. A roundhouse kick is performed striking with the shin in a similar manner to the Kukishin Ryū Happō version with most of the power coming from the body pivot. This kick is usually used as a finisher at closer range, targeting anywhere between the ribs and the back of the knee, this kick can also become a knee at close range. Other kicks include a stamping kick (Mook Jong) for very close range and a sweep performed with the heel in a circular fashion.
Every kick is both an attack and defence, with legs being used to check incoming kicks or to take the initiative in striking through before a more circular kick can land. Kicks are delivered in one movement directly from the stance without chambering/cocking.

=== Uncommitted techniques ===
Togakure Ryū Hidensho techniques are uncommitted. This means that if the technique fails to connect, the practitioner's position or balance is less affected. If the attack fails, the practitioner is able to flow easily into a follow-up attack. All Togakure Ryū Hidensho techniques permit this. Any punches or kicks can be strung together to form a "chain" of attacks. According to Togakure Ryū Hidensho theory, these attacks, in contrast to one big attack, break down the opponent gradually causing internal damage. Chained vertical punches are a common Togakure Ryū Hidensho identifier.

=== Trapping skills and sensitivity ===
The Togakure Ryū Hidensho practitioner develops reflexes within the searching of unsecured defenses through use of sensitivity. Training with a training partner, one practices the trapping of hands. When an opponent is "trapped", he or she becomes immobile.

=== Close range ===
Togakure Ryū Hidensho teaches practitioners to advance quickly and strike at close range. While the Togakure Ryū Hidensho forward kick can be considered a long range technique, many Togakure Ryū Hidensho practitioners practice "entry techniques" - getting past an opponent's kicks and punches to bring him within range of Togakure Ryū Hidensho's close range repertoire. This means that theoretically, if the correct techniques are applied, a shorter person with a shorter range can defeat a larger person by getting inside his range and attacking him close to his body.
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